„The violence of time lacerates the soul; through that laceration, eternity enters” (S. Weil, The Shadow and the Grace).
A Cultural Art is an art culturally engaged with society; it is not an alienated art, but alive in the message (meaning) it seeks to convey.
It strives to inform the masses, seduced by the vulgarity and bad taste of postmodernism, of the high universal value of Art (beauty), of its recovery as a transmission of timeless values, and to re-educate them in civil and religious values.
It therefore rehabilitates the public to the beauty of an artistic painting born of culture and not kitsch, and the reader to enjoy the poetic message, beyond the technical game of Deconstruction.
The Cultural Art opposes modern Deconstruction with „the right valorization,” aware that the mechanism by which the object is constructed should not be expressed but concealed and transcended by the idea of the object.
It is not a metaphysical art, but a revolutionary one, in the sense that it strives to change society, with the subversive force of a culturally given Universal Knowledge and Beauty (which transcends the categories of time and space).
Art is superior to life and strives to change it: above all, to create an infinite chasm between barbarism and good taste in times of unrest.
A culture that does not betray History and is free from „slavery,” that does not close off all connections with the believer; that does not rot the light, that does not demand the Truth.
An art that excludes the chaos of this tragic world, entangled in a „modern way of life” pervaded by commodification and squalid interests that nullify that marvelous infinite journey called memory and mortify and devour the heart of this unknown Humanity.
„…A runner ran after his shadow…
He was seeking the Truth…” (Paul Nougé).
Maria Teresa Liuzzo
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